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Réflexion théorique sur la sémantique de l'image médiévale, reprenant le problème là où l'avaient laissé les penseurs du passé tel saint Thomas et construisant une théorie de l'imitation logiquement cohérente et empiriquement acceptable.

Middle age --- Age moyen --- 7.04 --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Christian art and symbolism --- Pictures --- Art et symbolisme chrétiens --- Illustrations, images, etc --- Illustrations, images, etc. --- Sémiotique et arts. --- Semiotics and the arts --- Symbolisme chrétien --- Interprétation. --- Interpretation --- History --- Christian art and symbolism. --- Sémiotique et arts. --- Symbolisme chrétien --- Interprétation. --- Interpretation. --- Image (Philosophy) --- Image (Philosophie) --- Illustrations

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Book history --- anno 500-1499 --- Illumination of books and manuscripts, Medieval --- Manuscripts, Medieval --- Art and literature --- Semiotics and literature --- Enluminure médiévale --- Manuscrits médiévaux --- Art et littérature --- Sémiotique et littérature --- Manuscrits à peintures médiévaux --- Illustrations, images, etc. --- Actes de congrès --- Interprétation --- Moyen âge --- 091.31 "04/14" --- 091.31:7.04 --- Verluchte handschriften--Middeleeuwen --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 091.31 "04/14" Verluchte handschriften--Middeleeuwen --- Enluminure médiévale --- Manuscrits médiévaux --- Art et littérature --- Sémiotique et littérature --- Actes de congrès. --- Manuscrits à peintures médiévaux. --- Interprétation. --- Moyen âge. --- Illustrations

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From the 16th to the 19th century, illuminated manuscripts were collected by the great printer-publisher Christophe Plantin and his Moretus successors and descendants. Ranging in date from the 9th to the mid-16th centuries, the manuscripts in the Museum Plantin-Moretus come from all over Europe, chiefly the Southern Netherlands and France with a significant representation of 15th-century Dutch illumination. More surprisingly, about a quarter of the collection comes from England: manuscripts of the 10th to 15th centuries that left the country with Catholic refugees. Alongside the acknowledged masterpieces and rarities, like the Bohemian Bible of 1402, are volumes that have remained virtually unknown, their aesthetic appeal and historical or textual interest often passing unnoticed in the absence of published reproductions. In this beautifully produced catalogue, each of the 102 volumes is illustrated in colour, with more extensive coverage of the 55 volumes with the most rewarding illumination. For the first time it is possible to gauge the extent and nature of this fascinating and under-explored collection, still housed in the building on the Vrijdagmarkt in Antwerp to which Plantin moved his famous sign of the Golden Compasses in 1576.

Manuscripts. Epigraphy. Paleography --- Illumination of books and manuscripts, Medieval --- Manuscripts, Medieval --- Enluminure médiévale --- Manuscrits médiévaux --- Catalogs --- Catalogues --- Museum Plantin-Moretus --- Catalogs. --- Geïllustreerde handschriften. --- Mediaeval illumination of books and manuscripts --- Belgium --- Antwerp --- Catalog --- Manuscrits à peintures --- Musée Plantin-Moretus (Anvers, Belgique) --- Bibliothèque --- 091.31:7.04 --- 091.31 --- 091 <493 ANTWERPEN> --- Academic collection --- Verluchte handschriften: iconografie --- Verluchte handschriften --- Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091 <493 ANTWERPEN> Handschriftenkunde. Handschriftencatalogi--België--ANTWERPEN --- 091.31 Verluchte handschriften --- 091.31:7.04 Verluchte handschriften: iconografie --- Museum Plantin-Moretus. --- Enluminure médiévale --- Manuscrits médiévaux --- Musée Plantin-Moretus --- Illumination of books and manuscripts [European ] --- Illumination of books and manuscripts [Medieval ] --- Manuscripts --- Antwerp (Belgium) --- Catalogues. --- Bibliothèque. --- Illumination of books and manuscripts, Medieval - Catalogs --- Manuscripts, Medieval - Belgium - Antwerp - Catalogs --- Catalogue de manuscrits --- Manuscrits enluminés --- Anvers --- 730 --- boek geschiedenis --- manuscrits --- manuscript --- livre histoire --- Antwerpen musea --- schilder- en tekenkunst --- peinture et dessin

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The Christian Topography is the only extant Greek treatise both written and illustrated in the sixth century, although known only through later copies. Taking inspiration from East Syrian exegesis, the treatise transforms the heritage of classical cosmography into a new, Christian image of the universe. Because images are an inherent part of the argument, the Christian Topography offers a unique insight into how the relationship between word and image was constructed and how the potential of these two media was understood. Until now, however, the text and illustrations have almost always been discussed separately. Consequently the unity of the work has been disrupted and our understanding of the treatise distorted. Taking into consideration both the text and the miniatures, this book seeks to further our understanding of the Christian Topography and its intellectual milieu, and to clarify the role of the images in late antique polemics.

091 =75 --- 091.31:75.033.2 --- 091 <45 FIRENZE> --- 091 <456.31> --- 091 <620 SINAI> --- 091.31:7.04 --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Verluchte handschriften-:-Schilderkunst--?.033.2 --- Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat --- Handschriftenkunde. Handschriftencatalogi--Egypte--SINAI --- Verluchte handschriften: iconografie --- 091.31:7.04 Verluchte handschriften: iconografie --- 091 <620 SINAI> Handschriftenkunde. Handschriftencatalogi--Egypte--SINAI --- 091 <456.31> Handschriftenkunde. Handschriftencatalogi--Vaticaanstad. Kerkelijke Staat --- 091 <45 FIRENZE> Handschriftenkunde. Handschriftencatalogi--Italië--FIRENZE --- 091.31:75.033.2 Verluchte handschriften-:-Schilderkunst--?.033.2 --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- Biblical cosmology. --- Illumination of books and manuscripts, Byzantine. --- Manuscripts, Greek (Medieval and modern) --- Manuscripts, Byzantine. --- Cosmography --- History. --- Cosmas, --- Biblical cosmology --- Illumination of books and manuscripts, Byzantine --- Manuscripts, Byzantine --- History --- Cosmas Indicopleustes --- Cosmography - History --- Cosmas, - Indicopleustes, - active 6th century. - Christian topography

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The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders; how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page lay-out and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts

illuminations [visual works] --- Book history --- margins --- illuminated manuscripts --- breviaries --- Wulfschkercke, van, Cornelia --- Bening, Simon --- Master of the David Scenes --- anno 1400-1499 --- anno 1500-1599 --- Book margins --- Illustrations [Marginal ] --- Marginal illustrations --- Marginal scenes --- Margins in books --- Scenes [Marginal ] --- Painters --- Painting, Medieval --- Illumination of books and manuscripts, Medieval --- Illumination of books and manuscripts, Flemish. --- Peintres --- Peinture médiévale --- Enluminure médiévale --- Enluminure flamande --- Biography --- Biographies --- Master of the David Scenes in the Grimani Breviary, --- Illumination of books and manuscripts, Flemish --- Master of the David Scenes, --- Manuscrits à peintures flamands --- Illustration des livres --- Enluminure de la Renaissance --- Manuscrits à peintures de la Renaissance --- Flandre (Comté) --- Thèmes, motifs --- 091.31:7.04 --- 091.31 <493> --- Verluchte handschriften: iconografie --- Verluchte handschriften--België --- 091.31 <493> Verluchte handschriften--België --- 091.31:7.04 Verluchte handschriften: iconografie --- Peinture médiévale --- Enluminure médiévale --- Maître des scènes de David dans le Breviarium Grimani --- Illumination of books and manuscripts [Medieval ] --- Flanders (County) --- Illumination of books and manuscripts [French ] --- 15th century --- illuminations [painting] --- Illumination of books and manuscripts, Medieval - Flanders. --- Master of the David Scenes, - 1500-1525 --- Vlaamse school --- illuminations [paintings]